3 yrs on, Ukrainian evacuees help ballet project grow in Japan

Ukrainian ballet dancers Nelia Ivanova and Svitlana Shlikhter were deeply moved when the audience gave a standing ovation during their Japan-based troupe's performance in Latvia ahead of the third anniversary of Russia's full-scale invasion of Ukraine.

Throughout the performance in the Baltic country neighboring Russia, the troupe called for an end to the war in Ukraine and expressed gratitude to those back home in western Japan's Awaji Island who have been supporting the group's activities.

The 16-member troupe is unique in that it includes Ivanova, Shlikhter and 10 other Ukrainian dancers and instructors evacuated to the island. The four others are Japanese dancers.

"Every year you think it (the war) is going to finish but it's not finished yet," Ivanova said in Awaji city after returning from Latvia's capital Riga. "I hope it's going to finish so soon."

Video courtesy of Ēriks Lauskis and Einārs Lauris

Video courtesy of Ēriks Lauskis and Einārs Lauris

Led by Emi Hariyama, an award-winning Japanese ballet dancer and former member of the Berlin State Ballet, the troupe on Dec. 9 performed a show featuring "Tsuru no Ongaeshi," or the Grateful Crane, a well-known Japanese folktale, at the Latvian National Opera House.

"People in Latvia, I think, loved this," Shlikhter said, in reference to the crane in the storyline and use of taiko drum sounds in the show. The event was also attended by former Latvian Culture Minister Dace Melbarde.

Photo courtesy of Emi Hariyama

Photo courtesy of Emi Hariyama

Hariyama said the troupe conveyed a message of peace to the world and that it was significant -- and probably unprecedented -- that a group of Ukrainian and Japanese dancers presented Japanese culture through ballet in Europe.

Photo courtesy of Emi Hariyama

Photo courtesy of Emi Hariyama

"It may sound like a dream, but I would like people to hold hands with their neighbors and walk together (toward the future), leaving feelings of hatred behind," she said.

Video courtesy of Ēriks Lauskis and Einārs Lauris

Video courtesy of Ēriks Lauskis and Einārs Lauris

With the help of Hariyama, Ivanova and Shlikhter moved to Awaji in May 2022. The former dancers of the Lviv National Academic Opera and Ballet Theater had been hoping to live in a calm and safe environment.

A panoramic view of Awaji Island from a mountain in Sumoto, a city in the central part of the island.

A panoramic view of Awaji Island from a mountain in Sumoto, a city in the central part of the island.

Hariyama launched Awaji World Ballet, a ballet promotion project, in June 2022 in partnership with Pasona Group Inc., a staffing service agency that has relocated part of its headquarters to Awaji from Tokyo in an effort to advance regional revitalization.

Ivanova, Shlikhter and two Ukrainian ballet instructors, who also evacuated to Awaji in the wake of the war that started on Feb. 24, 2022, joined the project from its inception.

While performing ballet pieces such as "Don Quixote" and "Coppelia" in Awaji and running ballet lessons for local children and adults, the project has now expanded to involve 16 dancers and instructors.

The Riga show was realized with the support of a Latvian performing arts organizer Hariyama met in Berlin in 2007. It was the second overseas performance by the troupe following a guest participation in the Dance World Cup finals held in the Czech Republic last year.

Photo courtesy of Emi Hariyama

Photo courtesy of Emi Hariyama

About 2,000 Ukrainian evacuees are currently living in Japan, according to government data. Ivanova and Shlikhter say they have gotten used to living in the country, and their families in Ukraine are happy that they are living safely and comfortably in Awaji.

Video courtesy of Ēriks Lauskis and Einārs Lauris

Video courtesy of Ēriks Lauskis and Einārs Lauris

The 24-year-olds thanked Pasona for hiring them and other Ukrainians for the ballet project and local authorities for providing them with free accommodation.

"We like how people support us, how the company supports us," Ivanova said in an interview on Dec. 23 at an apartment she shares with Shlikhter. "It's more comfortable than before."

Shlikhter said the pair sometimes visits Kobe and Osaka, two major cities near Awaji, primarily for shopping. Her favorite food is edamame beans, while Ivanova's favorites are tofu and Kobe beef.

Even if the war in Ukraine ends in the near future, they would like to keep dancing in Japan for now. "I want to be in Japan with Awaji World Ballet. My family is happy, too, for me living in Japan," Shlikhter said. "But I don't know for how long."

Awaji city officials and residents have welcomed the Ukrainian evacuees, saying the ballet project will help revitalize the island -- both culturally and economically -- and raise its international profile.

"In a region with no ties with ballet, we initially were not sure how best to host the evacuees," said Awaji Mayor Yasuhiko Kado. "But with Ms. Hariyama assisting them in cross-cultural communications and Pasona allowing them to focus on dancing and teaching, the project has been taking root."

Awaji Mayor Yasuhiko Kado (L) with Emi Hariyama, artistic dirctor of Awaji World Ballet, at the Awaji city office on Dec. 23, 2024.

Awaji Mayor Yasuhiko Kado (L) with Emi Hariyama, artistic dirctor of Awaji World Ballet, at the Awaji city office on Dec. 23, 2024.

"The city government will continue to extend as much assistance as possible to the evacuees," Kado said in an interview at his office, citing language translation equipment and aid for other life-related issues.

Local residents are hoping that more people will visit the island and watch ballet performances, especially as Expo 2025 starting April in Osaka is expected to boost the number of inbound tourists.

With Hariyama poised to step up the troupe's performances, enrich their contents and include dancers from other countries, world-renowned Ukrainian ballet dancer Vladimir Malakhov says the Awaji project has the potential to grow eventually into a ballet company.

Malakhov, a former artistic director of the Berlin State Ballet who has long worked with Hariyama, suggests that the troupe increase its repertoire and establish its reputation in Japan and abroad so that it can garner more support, both in terms of fan base and financing.

"They have a lot of interesting ideas about incorporating elements of Japanese arts and culture into ballet," Malakhov said on the sidelines of the Japan International Ballet Festival in Kawasaki, south of Tokyo, on Dec. 25.

"They must have more repertories to present, like contemporary, classic and neoclassic works," he said. "They performed in Latvia and the Czech Republic, but they need to show more in Europe or even in Asia such as Taiwan, South Korea and China."


Text : Ko Hirano

Photo & Video : Yuki Murayama

Text editor : David Hueston
Video Editor : Tom Shuttleworth

Production Support : Kevin Chow, Janice Tang

Background image of cover photo courtesy of Ēriks Lauskis and Einārs Lauris

Photo courtesy of Emi Hariyama

Photo courtesy of Emi Hariyama

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